Daniella Zalcman

Photojournalist + Founder of @womenphotograph. Imperialism correspondent. Work thanks to @pulitzercenter @natgeo @theiwmf @opensocietyfoundations.


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Well, I may have driven into a river bed earlier this week on the Pala Reservation in Southern California, which is not quite how I planned on spending my evening, but it did allow me to sit quietly and watch the rain roll in as the sun went down and meet about a dozen local families who all stopped to make sure I was okay on their drive home. Tribal police have now towed me out of snow, mud, and a mostly (but not entirely) dry river, so I think I owe several reservations some kind of donation for their help, and for not making too much fun of me.

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1,750 miles from Riverside, CA to Fargo, ND. These signposts are scattered across the campus of the Sherman Indian High School — one of 53 schools still operated by the US Government’s Bureau of Indian Education. Indian boarding schools today are a far cry from the institutions they were meant to be when they were first created in the late 19th century, but these signs still feel like a poignant reminder of how far many students are from home. @signsofyouridentity

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Committing to going through my archive and organizing my embarrassing jumble of hard drives this year (if I make a resolution on instagram y’all will hold me accountable, right?). Starting a decade ago, with some old film from a trip to Guatemala, and an afternoon spent with Doña Caterina while she roasted coffee beans in San Juan Cotzal, Guatemala. Doña Caterina is part of the Ixil community, in a region that was heavily targeted during the Guatemalan Civil War that ran from 1960-1996. The Guatemalan Army destroyed 440 Mayan villages in a two year window, and were later found to have killed nearly 200,000 Guatemalans, 83 percent of whom were Mayan. To this day, many of the villages that remain are heavily female, with women managing labor, food production, families, and community organizing.

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Onto the next chapter. Goodbye, London.

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This is Gregg Deal ( @greggdeal), a Pyramid Lake Paiute performance artist, activist, and painter whose work often interrogates misconceptions of Native identity, asking his audience instead to confront their misunderstandings and reconsider stereotypes. The handprint on his face is from a performance piece “The Last American Indian on Earth” — visit his website to see more. Shot on assignment for @natgeo and out now in the December issue of the magazine.

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This is Peter Toth, a Hungarian-born sculptor based in Florida. He’s dedicated most of his life to carving these larger-than-life statues of Native Americans out of tree trunks — a series he calls the Whispering Giants. His original goal was to place one in every state, but he’s completed 74 so far and, at the age of 70, has no plans to stop. When I was mapping out my plan for the story that just published in the December issue of @natgeo, I knew I wanted to include Peter for personal reasons: he carved a statue that stood prominently at the center of a small Delaware beach town where I spent many summers as a child. It somewhat resembles a totem pole, and I remember assuming as a kid that it must have been a relic from a coastal Native tribe. It wasn’t until decades later that I learned totem poles come from communities in the Pacific Northwest. That was my goal for this project: to look at how non-Native creators have employed, benefitted, and profited from Native symbols and culture, and the misinformation they sow along the way. Sometimes it seems relatively harmless, like my own childhood misunderstanding, but it is not disconnected from the casual racism that underpins sports team names like the Redskins, or any other number of examples of the ways in which we continue to disenfranchise and silence Indigenous people on this continent.

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Excited to share that my first @natgeo story is now out in the December issue of the magazine. The piece looks at the ongoing appropriation and misrepresentation of Native Americans in the U.S. — from sports mascots to corporate logos to Indigenous identity as performance. I’ll be sharing some images here over the next week or two from the project (sorry, not iPhone for once) — but make sure to pick up the magazine on newsstands to see this story + work from @kiliiiyuyan @josue_foto @cararomerophotography @matikawilbur @jennyirenemiller @kali_spitzer_photography @brianadamsphotography & @willraywilson!

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Hunting camp on the Flathead Reservation a couple weeks back.

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there is a world, big as a mountain

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Took the long way home.

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Columbia Falls, MT

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The first evening of an annual hunting camp on the Flathead Reservation.

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